Harold Demetzer
I managed to get Harold’s permission to post his photo onto my blog, today. Originally, Harold didn’t want “anything done” with the photos we took of him, I managed to convince him to let me show this as he pulled out the camera to take photos of us this afternoon, though. He tells me that this will be one of two photos of him on the internet.
Harold spoke of west coast artists today and the connections between the artists. Harold went highlighted a list of seventeen artists from the Haida, Nisga’a and Gitksan nations today. Although it was clear that more artists were on the list that we didn’t manage to cover today, what we did cover was quite informative and even a bit inspirational. Starting with a tree graph of the connections between the various artists, Harold highlighted who taught whom. For example, Bill Reid taught Robert Davidson, Don Yeomans and Jim Hart; Robert Davidson taught Reg Davidson, Freda Diesing and Chuck Heit; Freda Diesing taught Dempsey Bob and Glen Wood; Dempsey Bob taught Stan Bevan and Ken McNeil. Harold pointed out that all great north west coast artists taught.
Harold then went through a list of these artists one by one, starting with Bill Reid. Bill was an artist who stood out, as Harold described it, because of marketing and talent. Bill’s career as an artist spanned many decades and in the later years, he had many artists working under him. One of Bill’s most famous works is on the Canadian $20 bill, “Black Canoe”. When the 3 meter high bronze sculpture was made and installed, Bill specifically stated “Do not prevent people from touching it.” The patina has since naturally worn off in spots on the bronze sculpture located at YVR. Bill died in 1998 of parkinson’s disease.
Next Harold went on to speak of Haida artist Don Yeomans. One of the most interesting thing about Don was his tendency to mix art and subject matter not typically north west coast with the north west coast style. Ken McNeil reminisced that the first time that he met Don, Don was wearing a elephant frontlet headpiece. A frontlet is part of the head dress of a simoyget, or chief, and typically has a motif of either a human or figure from nature found in the west coast. Elephants are not found on the west coast.
Harold went on to tell us about Haida artist Robert Davidson. Harold said that the first time that he and Robert met was very similar to the last time that they met. In between these times, Robert was an amazing example of a northwest coast artist. Robert started his career raising a pole that was the first pole in 90 years in all of Canada, since the potlatch law of 1884. Incidentally, before the pole was made, Robert was talking with his grandma, Florence Davidson, daughter of Charles Edenshaw, about the need for a pole and how he said that he should raise one; Florence quite seriously agreed that he should. And so in 1969, the pole was raised. Robert went on to be an instructor at Ksan, and even taught Freda Diesing, herself.
Harold went on to describe artists of Nisga’a lineage. Including the Tait brothers: Norman, Alver and Josiah. I know that Josiah worked on a few major installations in Prince Rupert, with Freda Diesing.
Students from Freda Diesing School stand in front of a large plaque at the Prince Rupert Hospital. The plaque was designed by Freda Diesing and carved by Josiah Tait.
Harold then went on to describe some Gitksan artists, such as K’san co-founder Walter Harris and controversial artist Ya’Ya (Chuck Heit).
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